Les Sofas de la République – Aw Ya to An Ka Lafia
So far the Mali Track of the Week has been generally selected from a bluesy artist which has achieved particular recognition in the Western world. This week’s entry hopes to shake this up a little.
Hip-hop or Rap music is arguably the most revolutionary and influential addition to the art form to arise in the last 30 years. Its distinctive sound is delivered inseparably to its unique cultural and political perspectives. In the 1990s and 2000s hip-hop became a global change-making powerhouse which has left no stone unturned. Its power as a vehicle for societal change emphasised most strikingly by Jay-Z’s inclusion in Time Magazine’s world-wide list of the 100 most influential people of 2013. Note that unlike in other years where a rapper has been listed under ‘artists’, Jay-Z had broken through, listed under the emphatic title of ‘Titan’ in an article written by the Mayor of New York City.
Rap music has been on the scene in Mali since the 1990s. Unsurprisingly, hip-hop’s strengths in articulating grievance, injustice, marginalisation but also hope, loyalty and determination has found many followers. One example of which is this week’s track from Les Sofas de la République.
Les Sofas get their name from the warriors of Samory Touré – one of Africa’s great king’s who during the 19th century fought for African freedom and fiercely resisted French imperialism. They are a collective of musicians who have a very active and engaged history as shown in this fascinating article. Andy Morgan writes of the group who formed the day after Captain Sanogo’s military coup of March 22nd 2012 in his book Music, Culture & Conflict in Mali:
‘Les Sofas aren’t your classic ‘band’ as such, think of them more as a rap posse, a self-help association, a pressure group, a political party, an educational charity and a think tank, all rolled into one.’
Les Sofas’s song ‘Aw Ya to An Ka Lafia’ (which translates as ‘Leave Us In Peace!’) was also created in reaction to a deeply troubling and violent political development. The song was released following an attack on May 21st 2012 on the Presidential Palace in Bamako by – in Morgan’s words – ‘a mob of protesters stirred up by Sanogo and opposition parties’. Morgan notes the song’s potent lyrics and how Les Sofas use the song to describe their mood, and the mood of many other Malians, following the attack; that all that was precious in their country and that was good about their politics had been lost to a violent and aloof struggle for power:
“Taking up arms Malians, fiercer and fiercer yeaah. Taking up arms and making blood flow yeaah. Making tears flow and making us lose time, bothering us with stupid details…Our relatives are dying up in the north while we try and agree on who will take the tiller.”
Powerful and provocative. Thought-provoking and fearless; doing what hip-hop does best.