Tag Archives: Malick Sidibe

Ali Farka Toure – Tulumba : Mali Song of the Week

Ali Farka Toure songs are never short of emotion. ‘Tulumba’ announces itself triumphantly which somewhat betrays the rest of the song. It continues in at the pace of a melancholic shanty, not despairing but grieving.

And there is much to grieve over in the last week of Malian life. On April 14th the great and widely celebrated Malian photographer Malick Sidibé passed away in Bamako aged 80. In a delightful tribute, Ofeibea Quist-Arcton, International Correspondent with NPR, described the effect Sidibé’s death has had on the country through the words of Mali’s culture minister, N’Diaye Ramatoulaye Diallo. He was undoubtedly a “national treasure” whose loss the entire country is mourning.

The war in the north of Mali has seen a bloody week. Civilians, soldiers and humanitarians all falling victim to the enduring instability, growing distrust and angst at a wretched situation of which no one appears to have the strength to control. In that void violence thrives. The International Committee of the Red Cross announced on Monday that for a month three of its aid workers on assignment in deep in the north in Abeibara had been missing. Only a week before this announcement, three French soldiers had been killed in a landmine blast during a routine drive from Gao with President Hollande expressing “deep sadness” upon hearing the news. And perhaps most troubling of all is the situation in Kidal. Reports from Mali on April 19th describe how a street protest formed to demonstrate against arrests made by French and UN forces which they allege were arbitrary and undermined peace efforts. The situation turned violent resulting in 4 deaths, 7 injuries – 2 seriously – a trashed airport, and shots fired, reportedly by UN soldiers as much as anyone else.

In these desperate times we must consider the wisdom of Toure and Sidibé – these two late, great Malians – and not slip so easily into sorrow and defeat. Artists leave us with gifts, new tools to understand and interpret the world. In 2008, Sidibé told The Daily Telegraph “For me, photography is all about youth…It’s about a happy world full of joy, not some kid crying on a street corner or a sick person.” Writing about the motivation to create the album Niafunké (named after his beloved home town) from which ‘Tulumba’ hails, Ali Farka Toure explained that:

“My music is about where I come from and our way of life and it is full of important messages for Africans. In the West perhaps this music is just entertainment and I don’t expect people to understand. But I hope some might take the time to listen and learn.”

So whilst we can rejoice in the magic that these artists produce, we must also consider their approach and look deeper. We must allow ourselves to be challenged by what is being presented to us. This may appear difficult without access to context or language and perhaps as a Westerner it can never be fully understood. But this spectacular photography and music is unquestionably stirring. It makes an impression on us. Let’s gather that feeling up and at the very least we can try and understand it, unpick it, respond to it and see what we learn from there. Perhaps there is a way through.

 

 

Ali Farka Toure – Tulumba

 

Sam Garbett is Public Affairs Coordinator for the Mali Development Group – www.malidg.org.uk.

To get in touch with Sam for further information he’d be happy to hear from you at sam.garbett@malidg.org.uk. Any comments and ideas for improving the Hub are especially welcome. We all look forward to hearing from you. Thanks for tuning in.

The Mali Interest Hub is an initiative run by the Mali Development Group, supported by the Alliance for Mali.

Sounds from the Sahel: Mali Song of the Week

Ballaké Sissoko – Famade

Africa cultural assets are in demand. African music, fashion and art are excelling in all corners of the globe. Even its TV personalities are taking over; this week South African comedian Trevor Noah was unveiled as Jon Stewart’s successor on the hugely popular comedy-satire programme The Daily Show.

Mali’s part in this blooming global African identity has overwhelmingly been its music, as we all know. However, Mali’s contributions and interactions with the world of art and culture is not exclusively musical. The city of Bamako is home to Ballaké Sissoko, master kora player and this week’s Artist of the Week. Bamako is also home to legendary photographer Malick Sidibé. Born in 1935 in what was then French Sudan, Sidibé, known as the “Eye of Bamako”, still resides in the city today. Sidibé’s work is famous for exploring, documenting and capturing the cultural and social change that occurred in immediate post-colonial Mali in the 1960s & 70s. He did this through thousands of photographs and drawings, famously in black and white. Sidibé’s work was not immediately recognised internationally, though today it is very valuable and some of his work went on sale in London this week. He more or less completed his major work by the 1980s yet is still an active visual artist – recently completing a fashion shoot for the New York Times.

In some ways, it sounds like a similar story to that of Mali’s music: once it was discovered by the world, especially its desert blues, people were compelled by its modernity and amazed by its history. The most boggling part of all is how familiar all African art seems. It leads us to think that the last 50, 60 years has not been a process of discovery but of reconnection. With art no longer oppressed and contorted through colonial dialogue into exotica, independent Africa is now playing catch-up and perhaps it is finally getting up to to speed. Artists like Malick Sidibé and Ballaké Sissoko, particularly for his ground-breaking collaborative work, will be admired for years to come, and we hope will be remembered for being just the beginning.

 

Ballaké Sissoko – Famade