Tag Archives: Mylmo

Mylmo – Dakan Tigui : Mali Song of the Week

Confronting defeat can sometimes be a more rewarding process than celebrating victory. Earlier this month a superb African Nations Cup (not to be confused with the African Cup of Nations) came to a painful close for Mali – the Eagles slumped to a 3 – 0 defeat against the DR Congo in the Amahoro Stadium in Kigali, Rwanda. An electric evening for their opponents saw Mali fail to register; stunned by an outrageous opening goal from 19 year old Meshack Elia. This strike inspired a victory celebrated far and wide; even by the DRC’s UN Stabilization Mission MONUSCO. No similar commentary from is Malian sister mission MINUSMA – dubbed the most dangerous peacekeeping mission on Earth – which from its Twitter feed looked to be slightly preoccupied with an armed assault on one of its bases at the time.

The unique brilliance of the African Nations Cup is that only players playing for a club in their country of origin are allowed to participate. The tournament thus rouses a different sense of pride amongst its followers. Rather than celebrating the excellence of those who break into the European leagues – their nation’s ambassadors reunited under their flag – it was instead the time to celebrate the younger, blossoming talents still delighting fans up and down the Sahel. In a situation that was described as “do or die” for these young footballers, their comprehensive defeat could have been a crushing moment in their promising careers and yet another blow to the country’s spirit.

Quite the opposite. The defeated Eagles were welcomed home “as heroes” with crowds, music, and speeches filling the Stade Modibo Keïta in Bamako. It was quite clear that Mali had decided to enjoy itself. Yes, they did not win, but by defying the instinct to succumb to disappointment Malian’s proved to each other that they were capable of more. Anyone can celebrate victory – it takes true pride, dedication and willingness to celebrate defeat. Summarising the mood Malian Football Federation Vice-President Kassoum Coulibaly said:

“You’ve stumbled on the day of the final, but you have not fallen with the flag.You have today written a glorious page of the Malian football. Tomorrow again I’m sure you’ll do more than you did in Kigali.” [translated from French using Google]

The optimism for the future is striking and cannot be an emotion many Malian politicians or public servants has had too much practice in over recent years. It aligns itself with the report last week which detailed how at the Festival Acoustik de Bamako it was Mali’s youth that stole the show and frenzied the crowd.  In front of the welcoming crowds in the Stadium Modibo Keita, the presence of rap artists like Mylmo provoked a growing optimism in Mali’s young people. There is a much darker side to this – with anecdotal stories from Malian musicians performing here in the UK all confirming a frightening trend of drugs and violence becoming an all-too-common past-time for a generation its country failed when it crumbled into war (the terrifying yet excellent Christian Aid & The Joliba Trust report into The Power of Drug Money is a must read in this regard). But rap musicians have offered an alternative voice. As Andy Morgan writes in a gripping and eye-opening article:

“When the country’s government collapsed…it was Mali’s hip hop scene that was the loudest and most relevant voice. At a moment when music’s political value seems like a thing of the past, hip hop in Mali is at the center of a discussion about democracy, globalisation and tradition.”

Indeed it isn’t just the future that Mali’s young people and musical pioneers are illuminating. It is also finding a way to connect a generation with their traditions and locality. Legendary kora player Ballaké Sissoko explains:

“Rap is pretty new as a scene in Mali. I think it’s a good thing in a way. It inspires the youth to make music, which they do in their language. It might sound American in its production but it’s still very local.”

This week’s Song of the Week has been plucked out to showcase that traditional-modern awareness and celebrate the work of Malian rappers. Its not the traditional sounds we are perhaps more used to hearing here, but its the music that is encouraging, inspiring and leading a generation to consider a future that isn’t condemned to defeat.


Mylmo – Dakan Tigui


Sam Garbett is Public Affairs Coordinator for the Mali Development Group – www.malidg.org.uk.

To get in touch with Sam for further information he’d be happy to hear from you at sam.garbett@malidg.org.uk. Any comments and ideas for improving the Hub are especially welcome. We all look forward to hearing from you. Thanks for tuning in.

The Mali Interest Hub is an initiative run by the Mali Development Group, supported by the Alliance for Mali.

Sounds from the Sahel: Mali Song of the Week

Mylmo – Propheciline 

“I thought I knew something about Malian music. Toumani Diabate, Rokia Traore, Oumou Sangare, Salif Keita, Vieux Farka Toure, Tinariwen. They’re the heroes, right? They’re the legends, the pop icons, the road blockers. I know there are rappers in Mali, just as I know there are rappers all over Africa. But I never knew that the rappers had taken over.” – Andy Morgan

Monday just passed (22nd of September 2014) was Mali’s Independence Day. It’s 54th to be precise, and the country was congratulated from all over the world on another year of self-rule and a day of national pride. Mali is perhaps one of the few countries in the world that would receive such messages of support from President’s of both the USA and Iran, the former highlighting the Malian government’s continued commitment to democratic rule and reconciliation, the latter using the day to emphasise its on-going goal of improving relations with the country and continent.

From a British perspective Malian independence means a whole lot for the residents of Hay-on-Wye in Powys, just on the Welsh-side of the border. Hay-on-Wye is twinned with Timbuktu and – accordingly – marks Malian independence with fundraising and celebrations. This year it took the form of a week-long multi-cultural affair with displays, cinema, food and music events all aimed at raising funds to help tackle some of it’s twin-town’s most pressing urban problems. In similar festival spirit seen during the Olympic games in London and the arrival of the Tour de France in Yorkshire, displays will line the windows of the town and later this week Mark Saade, Malian Consul, will judge the entries. Good luck, and good fun to everyone there.

Of course, the most important place on Mali Independence Day is Mali itself. This year passes with barely a hint of the optimism or relief from last year‘s celebrations – many people in Mali are now of the opinion that the government has failed to act, is not delivering on its promises and has slipped into the corruptive problems of the past. Regionally, the threat of Ebola looms large, bringing further bad news to an already challenging economic and agricultural recovery.  This does not mean that Malian’s are not down-trodden. Community action appears to be bubbling and Malian’s from many walks of life are motivated to step in, in their government’s absence, to make the changes they wish to see.

This week’s song of the week is for Mali’s youth. The passage at the top of the page is to remind us of all the love, support and admiration we provide for Malian’s and their country, at the end of the day, it is their country and we must celebrate the way they do. Andy Morgan declares that Malian rap music has “taken over” Mali’s music scene. Sequentially, this must mean they have also captured the most popular vehicle for political discourse in the country.

Mali’s rap may not be its most popular musical export to the Western world. However, if you want to know what’s going on in the hearts of everyday Malians – if you want to hear what its people are saying – then Mali’s rap music is definitely the place to begin listening.

Mylmo – Propheciline