Tag Archives: United Nations

Sounds from the Sahel: Mali Song of the Week

Cheick Tidiane Seck – Fera Na Fere

It has been a long time since Cheick “The Keyboard Warrior” Seck made his way onto the Hub. Inspired by last week’s post about the ‘Festival Sur la Niger’, Ségou-born Cheick Tidiane Seck is making a fitting appearance. Seck is well known for his political beliefs and is especially outspoken on the issue of war and peace. These views are not confined to protesting against wars fought with guns and armoured vehicles however as they also extend to a range of issues including liberal globalisation. For Seck this outspoken attitude has not come with age as it is evident that his personality and political passions have long been a defining part of his character, earning him the nickname ‘Che Guevara’ in his early years.

As with Seck’s previous selection by the Hub, this week’s Song comes from his 2013 album ‘Guerrier’ (that’s “Warrior”, in French). There is a key, confusing, and ultimately troubling, reason for this. Over the last 9 months, since defeat in late May 2014, Malian’s have been dealing with the fallout from the Malian government’s failure to secure Kidal, a key northern-eastern town, from Tuareg rebel group MNLA. Frustration is mounting into violent outbursts again the UN Peacekeeping force MINUSMA, which has been authorised with the mission of stabilizing the country, re-establishing state authority and notably in expanding  “…its presence, including through long-range patrols and within its capacities, in the north of Mali beyond key population centres, notably in areas where civilians were at risk”. It is on this specific point in which government and international agencies appear to be having most difficulty.

As often happens in these moments of high-tension and conflict, some have decided to take matters into their own hands. This is a quite confusing and troubling development. According to a patchwork of reports, this has manifested in a new, also Tuareg, rebel group called GATIA. It appears that GATIA are a loyalist outfit, a “self-defence” militia made up of Malian army veterans and until recently has drawn no comment of condemnation or praise from Malian officials – despite its emergence in August last year. In what appears to be a very grim state of affairs the BBC reported the following:

Correspondents say there are strong suspicions that the government is increasingly relying on militia groups such as Gatia to strengthen its position against the MNLA in the north. A UN source told the AFP news agency that two bombers blew themselves up in the attack near Tabankort town while a third was killed before he could detonate himself.

It is the BBC’s use of the word ‘relying’ which is most troubling perhaps. Is the state of affairs so bleak, the government’s strength so shattered that they are willing to rely on the bloody, twisted, tit-for-tat battles of suicide bombers to win their war? Its a frightening prospect. One which the UN in an ever familiar role seems, at best, only able to spectate over. And with this news another vicious blow is dealt to that other prospect, throwing it long past the horizon again. That is, of course, the prospect of there being an end to the war in Mali.

 

 

Cheick Tidaine Seck – Fera Na Fere

Sounds from the Sahel: Mali Song of the Week

Rokia Traore – Lalla

“I’ve never stopped being optimistic and also hopeful concerning Mali. And yes, I know the situation is still definitely fragile.” – Rokia Traore, speaking in August 2013

When does a conflict count as being over? After a very long, sluggish year of recovery the words of singer, songwriter and guitarist Rokia Traoré are as relevant as ever. This week’s song is from Traoré’s album ‘Beautiful Africa’ released under Nonesuch Records in April 2013, meaning the album was written “amid constant news of torture and killings”. The dark days of 2012/13 are over, yes, but the conflict rumbles on, churning out death and injustice. In particular, UN troops, as opposed to local Malian’s, have been targeted. In the past 15 months over 30 UN peacekeepers have been killed, and over 90 wounded – with 9 killed in a single attack earlier this month. With the world distracted by the amassing violence in Syria and Iraq, you’d say is was perfect timing for the incumbent UN mission leader to do a runner. The French forces have been also busy, intercepting an al-Qaeda convoy full of weapons and militants.

The north of the country sees the least amount of progress. The familiarity of military vehicles and the absence of tourists and trade continue to grind away at the residents of Timbuktu.A lack of resources is coupled with a lack of a strong presence from national institutions. For the most part, the basic ‘legal machinery’ needed in the north is still missing. The people of northern Mali are not seeing justice for crimes committed during the height of the conflict. This was a key Presidential promise going awry. Inventively, the government has responded with mobile information clinics which have been set up to gather testimony and deal with the back log. Soliders are being questioned too which is a positive sign. However, there is a major fear that even with the correct information in the right hands the population are still reluctant to give offenders up, especially if they are from the same ethnic group. A commentator warns “if there is no justice, others might seek revenge.

Besides the conflict, the ever global spectre of ebola looms large. It must be of some national pride that the Malian health ministry has been selected by Oxford University and the Centre for Vaccine Development at the University of Maryland to trial an experimental vaccine against the virus. It is urgently needed by their West African compatriots on the ‘front line’ in the battle, where health workers have died in their hundreds. Whilst Bamako remains bruised from the continuing conflict it must count itself lucky that it hasn’t had any reported cases despite a land border with Guinea which has had over 1,200.

The song has been chosen this week to reflect this mood. The conflict rumbles on. But Mali is rumbling on too. It is relatively peaceful, but the situation is very volatile as any number of enduring issues could explode at any time. Patience is the order of the day. That and frustration. The steady but fiery rhythm of Lalla symbolises these competing emotions, and in the heart-felt, floating and roaring lyrics of Traoré there is sorrow and anger. An abrupt finish – a call for Mali to simply get its act together?

Rokia Traore – Lalla